The Painting A Day movement that swept the internet art world a few years ago transformed the lives of many an artist, including mine. Made famous by oil painter Duane Keiser, the concept was to paint a small work in one sitting every day. It was a great way to practice skills, explore new techniques, and define one's style. It worked. Although I did not follow the practice exactly as prescribed, I produced more art and grew more as an artist, and discovered more about my artself during the year I tried it than at any other time in my life.
I discovered that I loved a square format, that oils were my thing, and that I preferred nostalgic themes. I found that I preferred to zero-in on one or two items in my still life paintings rather than grouping items, as if I were painting a portrait. Unfortunately, I also discovered that if I were going to sell or give an artwork away, I should keep a record of who it went to. After all, a painting's story is not finished when it leaves my hands. My collectors are also a part of that story. Thus I now keep track of all my art.
Just for fun, here were some that got away from me.
"Baladi Grapes," painted from life, went with me to an art and craft show. Another artist, a jewelry maker, admired it repeatedly. When we were packing up after the show and the painting hadn't sold, I traded with her for a bracelet I liked.
"Farm," painted from imagination, was given to a retiring music teacher who I did not know well but who was being honored at an end-of-year music teachers' bash. I happened to have it with me out in the car and went out to retrieve it when I saw everyone giving her gifts. It just felt like the right thing to do.
"Peppermint Oil," painted from life, is an exception. It sold on Ebay auction. I just didn't get a really accurate image of it. Thankfully, I know the collector, so I can go back and photograph it properly if I choose to make the drive.
"Family Night," a functional chess board, was gifted to the Chess Club at the elementary school where I did my student teaching. The last time I visited, no one knew where it was.
I know now that as a professional, I need to keep records of where my art flies off to, whether it's sold or given away. All gallery advisers recommend this strongly. I will comply with that advice because it's sound business practice and because it honors people. Just know that if I give a gift, then it is exactly that...a gift...no strings attached, no micro-managing afterward, no excessive emotional attachment,...just giving something that gave me pleasure so someone else might enjoy.
